As an artist working across media, I’ve used everything from thread to my voice to poetically translate and express information. Recently, I’ve been working with another medium – geologic datasets.
While scientists use data visualization to show the results of a dataset in interesting and informative ways, my goal as an artist is a little different. In the studio, I treat geologic data as another material, using it to guide my interactions with Mylar film, knitting patterns or opera. Data, in my work, functions expressively and abstractly.
Two of my projects in particular, “points of rupture” and “tidal arias,” exemplify this way of working. In these pieces, my goal is to offer new ways for people to personally relate to the immense scale of geologic time.
Points of rupture
An early project in which I treated data as a medium was my letterpress print series “points of rupture.” In this series, I encoded data from cryoseismic, or ice quake, events to create knitting patterns.
Working with ice quake data was a continuation of my research into what I call “archived landscapes.” These are places that have had multiple distinct geologic identities over time, like mountains that were once sea reefs.
As an artist working across media, I’ve used everything from thread to my voice to poetically translate and express information. Recently, I’ve been working with another medium – geologic datasets.
While scientists use data visualization to show the results of a dataset in interesting and informative ways, my goal as an artist is a little different. In the studio, I treat geologic data as another material, using it to guide my interactions with Mylar film, knitting patterns or opera. Data, in my work, functions expressively and abstractly.
Two of my projects in particular, “points of rupture” and “tidal arias,” exemplify this way of working. In these pieces, my goal is to offer new ways for people to personally relate to the immense scale of geologic time.
Points of rupture
An early project in which I treated data as a medium was my letterpress print series “points of rupture.” In this series, I encoded data from cryoseismic, or ice quake, events to create knitting patterns.
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