In the age of cancel culture, shaming can be healthy for online communities – a political scientist explains when and how

But public shaming generally needs to occur in a specific social context to have these positive effects. First, everyone involved must recognize shared social norms and the shamer’s authority to sanction violations of them. Second, the shamed must care about their reputation. And third, the shaming must be accompanied by the possibility of reintegration, allowing the shamed to atone and be welcomed back into the fold.

This means that public shaming is more likely to deliver accountability in clearly defined communities where members have many overlapping connections, such as schools where all the parents know one another.

In communal spaces where people frequently run into each other, like workplaces, it is more likely that they understand shared social norms and the obligations to follow them. In these environments, it is more likely that people care about what others think of them, and that they know how to apologize when needed so that they can be reintegrated in the community.

Communities that connect

Most online shamings, however, do not take place in this kind of positive social context. On the social platform X, previously known as Twitter, which hosts many high-profile public shamings, users generally lack many shared connections with one another. There is no singular “X community” with universally shared norms, so it is difficult for users to collectively sanction norm violations on the platform.

Moreover, reintegration for targets of shamings on X is nearly impossible, since it is not clear to what community they should apologize, or how they should do so. It should not be surprising, then, that most highly publicized X shamings – like those of PR executive Justine Sacco, who was shamed for a racist tweet in 2013, and Amy Cooper, the “Central Park Karen” – tend to degenerate into campaigns of harassment and stigmatization.

But just because X shamings often turn pathological does not mean all online shamings do. On Threadless, an online community and e-commerce site for artists and designers, users effectively use public shaming to police norms around intellectual property. Wikipedians’ use of public “reverts” – reversals of edits to entries – has helped enforce the encylopedia’s standards even with anonymous contributors. Likewise, Black Twitter has long used the practice of public shaming as an effective mechanism of accountability.

What sets these cases apart is their community structure. Shamings in these contexts are more productive because they occur within clearly defined groups in which members have more shared connections.

Acknowledging these differences in social context helps clarify why, for example, when a Reddit user was shamed by his subcommunity for posting an inappropriate photo, he accepted the rebuke, apologized and was welcomed back into the community. In contrast, those shamed on X often issue vague apologies before disengaging entirely.

Crossing online borders

There are still very real consequences of moving public shaming online. Unlike in most offline contexts, online shamings often play out on a massive scale that makes it more difficult for users to understand their connections with one another. Moreover, by creating opportunities to expand and overlap networks, the internet can blur community boundaries in ways that complicate the practice of public shaming and make it more likely to turn pathological.

For example, although the Reddit user was reintegrated into his community, the shaming soon spread to other subreddits, as well as national news outlets, which ultimately led him to delete his Reddit account altogether.

This example suggests that online public shaming is not straightforward. While shaming on X is rarely productive, the practice on other platforms, and in offline spaces characterized by clearly defined communities such as college campuses, can provide important public benefits.

Shaming, like other practices of a healthy democracy, is a tool whose value depends on how it’s used.

Jennifer Forestal has received funding from the National Endowment for the Humanities.

Source: The Conversation

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