Of all the debate over teaching U.S. slavery, it is one sentence of Florida’s revised academic standards that has provoked particular ire: “Instruction includes how slaves developed skills which, in some instances, could be applied for their personal benefit.”
Does this sentence constitute “propaganda,” as Vice President Kamala Harris proclaimed, “an attempt to gaslight us?”
Or is it a reasonable claim in a discussion of a difficult topic?
Whatever it is, the sentence is of a sort not unique to the teaching of enslavement in Florida. It is, instead, an example of how some Americans transform the racist history of this country into an uplifting – and sanitized – moral lesson.
It is a fact that small numbers of the enslaved acquired skills that allowed them to earn money, to save it and to buy their freedom and the freedom of family members.
It is also a fact that freed Black people in the antebellum era helped other Black people to also acquire skills and became part of a segregated Black middle class in many Southern cities.
One might argue that such a sentence, because it is true, should not give rise to protest. But as scholars who have studied how history is taught in America, we learned that this particular nugget is neither trivial nor insignificant.
Instead, the one sentence in Florida’s new standards allows Americans to transform a story about what we today call structural racism into an apocryphal story about Horatio Alger and America’s rags-to-riches melting pot.
As this line of thinking goes, enslaved ancestors of contemporary African Americans labored just as most contemporary Americans’ ancestors labored: at the bottom, but able to climb up the social ladder with hard work and discipline.
And this is the problem: To portray enslaved people as laborers like free laborers is exactly how not to teach about slavery.
But it is a commonly used method that is called a “switching mechanism.” In this example, the story about the horrors of the slave system is transformed into a story about opportunity, success and the American dream.
Switching the story at Colonial Williamsburg
Thirty years ago, when we conducted anthropological research at Colonial Williamsburg, we encountered the same narrative switching mechanism that is occurring now in Florida.
At that time, the world-famous Virginia outdoor history museum depicting a genteel, colonial America was trying to present the public with a truer picture of the past by incorporating the history of what they called “the Other Half” – the enslaved people who had been all but absent from the museum’s past portrayals.
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