February 12, 1924, was a frigid day in New York City. But that didn’t stop an intrepid group of concertgoers from gathering in midtown Manhattan’s Aeolian Hall for “An Experiment in Modern Music.” The organizer, bandleader Paul Whiteman, wanted to show how jazz and classical music could come together. So he commissioned a new work by a 25-year-old Jewish-American upstart named George Gershwin.
Gershwin’s contribution to the program, “Rhapsody in Blue,” would go on to exceed anyone’s wildest expectations, becoming one of the best-known works of the 20th century. Beyond the concert hall, it would appear in iconic films such as Woody Allen’s “Manhattan” and Disney’s “Fantasia 2000.” It was performed during the opening ceremonies of the 1984 Los Angeles Olympics, and if you ever fly on United Airlines, you’ll hear it playing during the preflight safety videos.
I’ve spent nearly two decades researchingand writingabout this piece. To me, “Rhapsody” isn’t some static composition stuck in the past; rather, it’s a continuously evolving piece of music whose meaning has changed over time.
Programming “Rhapsody” for concerts today has become somewhat of a double-edged sword. A century after it premiered, it remains a crowd favorite – and almost always guarantees a sold-out show. But more and more scholars are starting to see the work as a whitewashed version of Harlem’s vibrant Black music scene.
Gershwin had to work quickly, writing as time allowed in his busy schedule. Manuscript evidence suggests that he only worked on the piece a total of 10 days over the span of several weeks.
February 12, 1924, was a frigid day in New York City. But that didn’t stop an intrepid group of concertgoers from gathering in midtown Manhattan’s Aeolian Hall for “An Experiment in Modern Music.” The organizer, bandleader Paul Whiteman, wanted to show how jazz and classical music could come together. So he commissioned a new work by a 25-year-old Jewish-American upstart named George Gershwin.
Gershwin’s contribution to the program, “Rhapsody in Blue,” would go on to exceed anyone’s wildest expectations, becoming one of the best-known works of the 20th century. Beyond the concert hall, it would appear in iconic films such as Woody Allen’s “Manhattan” and Disney’s “Fantasia 2000.” It was performed during the opening ceremonies of the 1984 Los Angeles Olympics, and if you ever fly on United Airlines, you’ll hear it playing during the preflight safety videos.
I’ve spent nearly two decades researchingand writingabout this piece. To me, “Rhapsody” isn’t some static composition stuck in the past; rather, it’s a continuously evolving piece of music whose meaning has changed over time.
Programming “Rhapsody” for concerts today has become somewhat of a double-edged sword. A century after it premiered, it remains a crowd favorite – and almost always guarantees a sold-out show. But more and more scholars are starting to see the work as a whitewashed version of Harlem’s vibrant Black music scene.